ISBN-13 canonique : 9780192845504 · ISBN-10 : 0192845500 · fiche du livre · JSON · 3 champ(s) divergent(s) surligné(s)

Fiche retenue BnF, complétée par Open Library

Titre BnF
Literary neurophysiology
Sous-titre BnF
memory, race, sex, and representation in U.S. writing, 1860-1914
Auteurs BnF
Randall K. Knoper
Collection BnF
Oxford studies in American literary history
Éditeur BnF
Oxford university press
Date de publication BnF
2021
Pages BnF
297
Format BnF
relié, 24 cm
Support BnF
papier
Langue BnF
en
Résumé BnF
Writing about the brain and the nervous system more than a century ago, what were U.S. authors doing? Literary Neurophysiology: Memory, Race, Sex, and Representation in U.S. Writing, 1860-1914 examines their use of literature to experiment with the new materialist psychology, a science that was challenging their capacity to represent reality and forging new understandings of race and sexuality. Late-nineteenth and eartly-twentieth century authors sometimes emulated scientific epistemology, allowing their art and conceptions of creativity to be reshaped by it, but more often they imaginatively investigated neurophysiological theories, challenging and rewriting scientific explanations of human identity and behavior. By enfolding physiological experimentation into literary inquiries that could nonreductively account for psychological and social complexities beyond the reach of the laboratory, they used literature as a cognitive medium. Mark Twain, W. D. Howells, and Gertrude Stein come together as they probe the effects on mimesis and creativity of reflex-based automatisms and unconscious meaning-making. Oliver Wendell Holmes explores conceptions of racial nerve force elaborated in population statistics and biopolitics, while W. E. B. Du Bois and Pauline Hopkins contest notions of racial energy used to predict the extinction of African Americans. Holmes explores new definitions of "sexual inversion" as, in divergent ways, Whitman and John Addington Symonds evaluate relations among nerve force, human fecundity, and the supposed grave of nonreproductive sex. Carefully tracing entanglements and conflicts between literary culture and mental science of this period, Knoper reveals unexpected connections among these authors and fresh insights into the science they confronted. Considering their writing as cognitive practice, he provides a new understanding of literary realism and of the emergent distinction between literary and scientific knowledge.
Catégories / sujets BnF
Littérature américaine -- 19e siècle · Littérature américaine -- 20e siècle · Matérialisme · Sexualité -- Dans la littérature · Race -- Dans la littérature

BnF trouvé

212 ms (en cache)
Titre
Literary neurophysiology
Sous-titre
memory, race, sex, and representation in U.S. writing, 1860-1914
Titre original
—
Langue originale
—
Auteurs
Randall K. Knoper
Traduction
—
Illustration
—
Série
—
Tome
—
Collection
Oxford studies in American literary history
Éditeur
Oxford university press
Date de publication
2021
Pages
297
Format
relié, 24 cm
Prix éditeur
—
Support
papier
Langue
en
Résumé
Writing about the brain and the nervous system more than a century ago, what were U.S. authors doing? Literary Neurophysiology: Memory, Race, Sex, and Representation in U.S. Writing, 1860-1914 examines their use of literature to experiment with the new materialist psychology, a science that was challenging their capacity to represent reality and forging new understandings of race and sexuality. Late-nineteenth and eartly-twentieth century authors sometimes emulated scientific epistemology, allowing their art and conceptions of creativity to be reshaped by it, but more often they imaginatively investigated neurophysiological theories, challenging and rewriting scientific explanations of human identity and behavior. By enfolding physiological experimentation into literary inquiries that could nonreductively account for psychological and social complexities beyond the reach of the laboratory, they used literature as a cognitive medium. Mark Twain, W. D. Howells, and Gertrude Stein come together as they probe the effects on mimesis and creativity of reflex-based automatisms and unconscious meaning-making. Oliver Wendell Holmes explores conceptions of racial nerve force elaborated in population statistics and biopolitics, while W. E. B. Du Bois and Pauline Hopkins contest notions of racial energy used to predict the extinction of African Americans. Holmes explores new definitions of "sexual inversion" as, in divergent ways, Whitman and John Addington Symonds evaluate relations among nerve force, human fecundity, and the supposed grave of nonreproductive sex. Carefully tracing entanglements and conflicts between literary culture and mental science of this period, Knoper reveals unexpected connections among these authors and fresh insights into the science they confronted. Considering their writing as cognitive practice, he provides a new understanding of literary realism and of the emergent distinction between literary and scientific knowledge.
Catégories / sujets
Littérature américaine -- 19e siècle · Littérature américaine -- 20e siècle · Matérialisme · Sexualité -- Dans la littérature · Race -- Dans la littérature
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Open Library trouvé

1038 ms (en cache)
Titre
Literary Neurophysiology
Sous-titre
Memory, Race, Sex, and Representation in U. S. Writing, 1860-1914
Titre original
—
Langue originale
—
Auteurs
Randall Knoper
Traduction
—
Illustration
—
Série
—
Tome
—
Collection
—
Éditeur
Oxford University Press
Date de publication
2022
Pages
272
Format
—
Prix éditeur
—
Support
—
Langue
en
Résumé
—
Catégories / sujets
—
JSON brut
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Complétude des champs
ChampBnFOpen Library
Titre ✔ ✔
Sous-titre ✔ ✔
Titre original ✘ ✘
Langue originale ✘ ✘
Auteurs ⚠ ✔ ✔
Traduction ✘ ✘
Illustration ✘ ✘
Série ✘ ✘
Tome ✘ ✘
Collection ✔ ✘
Éditeur ✔ ✔
Date de publication ⚠ ✔ ✔
Pages ⚠ ✔ ✔
Format ✔ ✘
Prix éditeur ✘ ✘
Support ✔ ✘
Langue ✔ ✔
Résumé ✔ ✘
Couverture ✘ ✘
Catégories / sujets ✔ ✘

⚠ = valeurs divergentes entre sources (comparaison après normalisation : casse, accents, ordre des noms, année seule pour les dates).