ISBN-13 canonique : 9780199967896 · ISBN-10 : 019996789X · fiche du livre · JSON · 2 champ(s) divergent(s) surligné(s)

Fiche retenue BnF, complétée par Open Library

Titre BnF
Writing the rebellion
Sous-titre BnF
loyalists and the literature of politics in British America
Auteurs BnF
Philip Gould
Collection BnF
Oxford studies in American literary history n° 3
Éditeur BnF
Oxford University Press
Date de publication BnF
2013
Pages BnF
217
Format BnF
relié, 25 cm
Support BnF
papier
Langue BnF
en
Résumé Open Library
"Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing the Rebellion deals with the ways 'political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship.' Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries."--Publisher's website.
Catégories / sujets BnF
Littérature américaine -- 1775-1783 (Période révolutionnaire) · Politique et littérature -- États-Unis -- XVIIIe siècle · Loyalistes américains

BnF trouvé

234 ms (en cache)
Titre
Writing the rebellion
Sous-titre
loyalists and the literature of politics in British America
Titre original
—
Langue originale
—
Auteurs
Philip Gould
Traduction
—
Illustration
—
Série
—
Tome
—
Collection
Oxford studies in American literary history n° 3
Éditeur
Oxford University Press
Date de publication
2013
Pages
217
Format
relié, 25 cm
Prix éditeur
—
Support
papier
Langue
en
Résumé
—
Catégories / sujets
Littérature américaine -- 1775-1783 (Période révolutionnaire) · Politique et littérature -- États-Unis -- XVIIIe siècle · Loyalistes américains
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Open Library trouvé

993 ms (en cache)
Titre
Writing the Rebellion
Sous-titre
Loyalists and the Literature of Politics in British America
Titre original
—
Langue originale
—
Auteurs
Gould, Philip
Traduction
—
Illustration
—
Série
—
Tome
—
Collection
—
Éditeur
Oxford University Press, Incorporated, Oxford University Press, USA
Date de publication
2013
Pages
256
Format
—
Prix éditeur
—
Support
—
Langue
en
Résumé
"Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing the Rebellion deals with the ways 'political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship.' Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries."--Publisher's website.
Catégories / sujets
Politics and literature · American literature, history and criticism, revolutionary period, 1775-1783 · American loyalists · American literature · History and criticism · History
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Complétude des champs
ChampBnFOpen Library
Titre ✔ ✔
Sous-titre ✔ ✔
Titre original ✘ ✘
Langue originale ✘ ✘
Auteurs ✔ ✔
Traduction ✘ ✘
Illustration ✘ ✘
Série ✘ ✘
Tome ✘ ✘
Collection ✔ ✘
Éditeur ⚠ ✔ ✔
Date de publication ✔ ✔
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Format ✔ ✘
Prix éditeur ✘ ✘
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Résumé ✘ ✔
Couverture ✘ ✘
Catégories / sujets ✔ ✔

⚠ = valeurs divergentes entre sources (comparaison après normalisation : casse, accents, ordre des noms, année seule pour les dates).